The Book Arts Center’s Summer Institute features multiple weeklong workshops where participants can study with any one of a number of practitioners specialized in book arts and related fields. In this — our 13th year — we present two weeks, each with five courses to choose from.
Each week is filled with intensive hands-on instruction and practice, but there is also time to relax and enjoy the spectacular lake sunsets and bucolic surrounding area. Often, participants will work on their projects late into the evening taking advantage of the 24-hour access that the institute provides.
WEEK ONE: July 15–21, 2018
- Michael & Winifred Bixler (Bixler Letterfoundry) — Type Casting and Monotype Composition
- Peter Fraterdeus (Peter Fraterdeus) — West Meets East: Energy, Expression and “Emptiness” in Calligraphy
- Ron Gordon (Oliphant Press) — The Anatomy of Book Design
- Amos Kennedy (Kennedy Prints) — Letterpress Posters with Big Wood Type
- Scott McCarney (Scott McCarney VisualBooks) — Hybrid Textual/Visual Books
- Danielle Myers (Petrichor Paper) — Papermaking with Local Plants
WEEK TWO: July 22–28, 2018
- Aimee Lee (Aimee Lee) — Make Hanji: The World of Korean Papermaking
- Bruce Licher (Independent Project Press) — Philatelic Letterpress: The Art of the Hand-Crafted Stamp
- Steve Pittelkow — Marbling on Paper and Cloth
- Marnie Powers-Torrey (U Utah) & Amelia Hugill-Fontanel (RIT Cary Collection) — The Iron Hand Press and Finer Points of Impression
- Jenna Rodriguez (Jenna Rodriguez) — Extreme Bookbinding!
- Dan Rosenberg (Wells College – Dan Rosenberg) — Writing Beside the Press: A Poetry Workshop
For more details and information on how to register, please visit the Book Arts Center website.
